Creative Ceramics and Glass LLC
(707) 545-6528

Shop Low Fire Clay at GlazeQueen and compare clay options for pottery, ceramics and studio work. When selecting a body, consider firing range, color, texture, plasticity, absorption and the forming method you plan to use. Check the manufacturer’s technical information for the specific clay body and recommended firing range.


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Laguna Bmix Low Fire pottery clay
Availability: In Stock
Laguna Item #: EM 66 -

Bmix Low Fire is a pottery clay from Laguna intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions.

Clay Planet Low Fire White pottery clay
Availability: In Stock
Clay Planet Item #: LFW -

Low Fire White is a pottery clay from Clay Planet intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions. Recommended firing range: Cone 1.

Clay Planet San Jose White pottery clay
Availability: In Stock
Clay Planet Item #: SJW -

San Jose White is a pottery clay from Clay Planet intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions. Recommended firing range: Cone 1.

AMACO Sedona Red pottery clay No.67
Availability: In Stock
Amaco Item #: No.67 -

Sedona Red is a pottery clay from Amaco intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions. Recommended firing range: Cone 02.

Clay Planet Terra Cotta pottery clay TC
Availability: In Stock
Clay Planet Item #: TC -

Terra Cotta is a pottery clay from Clay Planet intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions. Recommended firing range: Cone 06.

Laguna Terra Cotta Sculpture pottery clay
Availability: In Stock
Laguna Item #: EM-215 -

Terra Cotta Sculpture is a pottery clay from Laguna intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions.

Laguna White pottery clay EM-210
Availability: In Stock
Laguna Item #: EM-210 -

White is a pottery clay from Laguna intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions.

AMACO White Art pottery clay No.25
Availability: In Stock
Amaco Item #: No.25 -

White Art is a pottery clay from Amaco intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions. Recommended firing range: Cone 05.

Laguna Whiteware pottery clay EM-342
Availability: In Stock
Laguna Item #: EM-342 -

Whiteware is a pottery clay from Laguna intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions.

Laguna Whiteware with Grog pottery clay
Availability: In Stock
Laguna Item #: EM-347 -

Whiteware with Grog is a pottery clay from Laguna intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions.

Xiem Clay Bag Ties Green (2) Reusable air-dry clay
Availability: In Stock
Xiem Item #: X10076 -

Clay Bag Ties Green (2) Reusable is a pottery clay from Xiem intended for ceramic forming and studio work. Its handling and fired results depend on the clay body, forming method, drying, firing schedule, and kiln conditions.

For low fire clay, the best choice depends on how you plan to form, dry, fire and finish your work. Compare the manufacturer's firing range and technical specifications, then test the body with your intended glaze or surface treatment before a larger project. Factors such as clay body, wall thickness, drying conditions and firing schedule can all affect the finished result.