Creative Ceramics and Glass LLC
(707) 545-6528

Shop Mid Fire Clay at GlazeQueen and compare clay options for pottery, ceramics and studio work. When selecting a body, consider firing range, color, texture, plasticity, absorption and the forming method you plan to use. Check the manufacturer’s technical information for the specific clay body and recommended firing range.


Products 1-12 of 43
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#16
Availability: In Stock
Laguna Item #: WC617 -

Artic White
Availability: In Stock
Aardvark Item #: AA-ARTIC -

A medium smooth white stoneware. This is a cone 5 variation of our popular Hopkin�s White Stoneware.

B-3 Brown
Availability: In Stock
Laguna Item #: WC-391 -

A pliable clay with smooth grog and color from manganese and iron. Fires almost black when reduced and dark brown/black in oxidation.

B-Mix 5
Availability: In Stock
Laguna Item #: WC-401 -

B-Mix 5 offers the same characteristics enjoyed by our Cone 10 B-Mix. Its smooth, porcelain texture is a pleasure to throw and form, and it fires to a cream color in oxidation.

B-Mix 5 with Grog
Availability: In Stock
Laguna Item #: WC-436 -

A very fine grog makes for a more forgiving body with a slight texture and minimal speckling.

B-Mix 5, FIRM
Availability: Out of Stock
Laguna Item #: WC401Firm -

B-Mix 5, SOFT
Availability: In Stock
Laguna Item #: WC401Soft -

Cafe Cinco
Availability: In Stock
Aardvark Item #: AA-CAF -

A medium coarse clay body. Fires a warm buff in oxidation and a beautiful medium brown in reduction.

Calico
Availability: In Stock
Laguna Item #: WC-871 -

This is a good, general purpose clay that works well for all forming methods. Specks generally bleed into glazes. 60 mesh sand gives a medium texture. Fire at Cone 5, the oxidation color is gray/buff and the reduction color is gray/brown.

Charcoal
Availability: In Stock
Aardvark Item #: AA-CHAR -

Chocolate, Dark
Availability: Out of Stock
Amaco Item #: 32M-20 -

For mid fire clay, the best choice depends on how you plan to form, dry, fire and finish your work. Compare the manufacturer's firing range and technical specifications, then test the body with your intended glaze or surface treatment before a larger project. Factors such as clay body, wall thickness, drying conditions and firing schedule can all affect the finished result.