Creative Ceramics and Glass LLC
(707) 545-6528

Shop Clay at GlazeQueen and compare clay options for pottery, ceramics and studio work. When selecting a body, consider firing range, color, texture, plasticity, absorption and the forming method you plan to use. Check the manufacturer’s technical information for the specific clay body and recommended firing range.


Products 85-96 of 131
Show
Pearl Cone 5
Availability: In Stock
Laguna Item #: CN-4110 -

Porcelain Five
Availability: In Stock
Laguna Item #: WC-395 -

Smooth, very good throwing, vitreous Cone 3 to 5 porcelain. Excellent results with gas or electric firing. Gray to off-white in oxidation.Cone: 3 to 5Wet Color: CreamShrinkage: 13%Water Absorption: 0.5%COE: 5.8 Penetrometer: 6pt  Application:  Ovenware, Wall Tile, Wind Chimes, Jewelry, Throwing Large, Throwing Medium, Throwing Small, Hand Building Large, Hand Building Medium, Hand Building Small, Tableware, Floor Tile, Sanitary Ware   ...

Red Calico
Availability: In Stock
Laguna Item #: WC-881 -

The clay body is a rich red version of our Calico clay. Fires brick red in oxidation and red/brown in reduction.

Red Velvet 35 (Navajo Wheel)
Availability: Out of Stock
IMCO Item #: IMNAV35 -

Navajo Wheel 412 is an outstanding throwing body, especially formulated for the studio potter as well as the production potter. Navajo Wheel 412 contains a 35 mesh grog that lends good structural strength enabling the potter to throw tall forms and still retain smoothness while throwing. A rich red tile color at cone 5 or 6 and a dark brown can be acquired with a moderate reduction at cone 5.

Red Velvet Cone 5/6 (Navajo Wheel)
Availability: In Stock
IMCO Item #: IM-NAV-CLASS -

This is a fluxed up version of our Navajo Wheel Clay making it vitreous at mid range temperatures. Fires slightly darker than Navajo Wheel regular but has the same great throwing characteristics.

Red Velvet Regular Cone 8 (Navajo Wheel)
Availability: In Stock
IMCO Item #: IMNAV -

Navajo Wheel is a blend of IMCO clays selected to produce a smooth textured plastic red clay. Navajo Wheel is an excellent wheel and hand building clay where a deep red tile color is desired. An excellent clay for school. This clay is made of local clays, having traveled an average of 35 miles from pit to our pug mill. This clay was originally designed as a cone 6 body but as the clay has changed in the pits Navajo Wheel now vitrifies at cone 8 (this change occurred around 2015)

Refractory Clay
Availability: In Stock
Laguna Item #: WC-895 -

Low expansion, semi-coarse high temperature body for refractory use. Best refractory quality when fired at Cone 13.

Rods Bod
Availability: In Stock
Aardvark Item #: AA-Rod -

A light to medium tan clay with distinctive speckling.

Rods Bod
Availability: In Stock
Laguna Item #: WC-823 -

Gray in the raw form with a medium sand texture. A popular body for general purpose use. Large and thick-walled pieces are prone to cracking. In light to medium reduction, Rod's Bod fires to a warm brown with iron specks which generally bleed into glazes forming brown specks.

San Jose White
Availability: In Stock
Clay Planet Item #: SJW -

A similar formulation to Low Fire White but with grog and sand added to produce a stronger, true white earthenware clay body. May be fired to Cone 1 for even greater strength.

Santa Cruz White High Fire
Availability: Out of Stock
Clay Planet Item #: SANTA -

A unique smooth white clay blend high in plastic ball clays. It is a smooth, very plastic, porcelain-type body successfully used for both small and medium-large functional wheel thrown ware.

SB Red
review-star review-star review-star review-star review-star
(1)
Availability: In Stock
Laguna Item #: WC-394 -

Semi-smooth red body with sand and grog. Fires paver tile red in oxidation and chocolate in reduction.

For clay, the best choice depends on how you plan to form, dry, fire and finish your work. Compare the manufacturer's firing range and technical specifications, then test the body with your intended glaze or surface treatment before a larger project. Factors such as clay body, wall thickness, drying conditions and firing schedule can all affect the finished result.